Milk Made
‘Milk Made’ is not only about the double-standards of female identity, but also about female fantasy, image-making and the aesthetic contradictions of womanhood.
DIMENSIONS: 38.5(h) x28(w)
MEDIUM: Original Hand-Pulled Silkscreen; Edition of 10, Signed and Numbered
YEAR: 2016



ABOUT
While Simmons is a skilled printmaker, with “Milk Made,” she learned to love the imperfections of print and embrace the mess - sometimes, the mistakes make the piece better than the original concept. Inspired by Warhol’s imperfect color registration pieces and taking it to an exaggerated level, “Milk Made” celebrates unexpected mistakes that often occur in the artistic process. By embracing this method, Simmons satirizes the culture of elite consumption while simultaneously acknowledging her own complicity.
She believes that while her generation possesses “sparkle and riotous good looks,” millennials have a bulimic relationship with consumerism. Additionally, Simmons engages ideas of power and agency, as well as the self-absorption, voyeurism, and brutality found in many aspects of contemporary culture. Despite the woman’s suggested nudity in this work, it is notable that Simmons only presents her identifying features, highlighting the tensions that arise between presentation and concealment, desire and restraint.