80s Baby
β€
80s Baby β€
About
The consumer culture of the 1980s undoubtedly made our current moment possible. Right now, though we may not realize it, we are living out the consequences of decisions and events from 40 years ago.
Be one measure, the 1980s were arguably a more innocent time. It was the last decade before the explosion of the internet and online media, but the 80s look good in retrospect because we had privacy with the ability to connect in a way that fostered a shared sense of community.
Half the country was watching the same TV shows or concerts at the same time - so whatβs missed is not so much the culture, but a sense of shared experience. This is in stark opposition to our cultural landscape today, which is proliferated with overshared intimacies and opinions.
The idea that money was good and made you a good person also started in the 80s, ultimately not leading us to Trumpβ¦but to a culture that could give rise to Trump, because of the value of celebrity.
All of the great TV shows from the 80s were about excess, so pushing the limits became comfortable - if not the norm.Simmonsβ β80βs Babyβ paintings expertly captures the visual chaos reminiscent of our current digital age, where fragmented images compete for our attention and obstruct one another, mirroring our own struggles to find clarity amidst the noise.
She highlights the influence of affluence, training a lens on subjects that reveals the imbrication of risk and desire, the banality of commodity fetishism, the dissatisfaction wrought by overconsumption, and the homogeneity of luxury caused by global advertising.